{"id":7575,"date":"2026-04-15T16:53:15","date_gmt":"2026-04-15T16:53:15","guid":{"rendered":"https:\/\/hausumountain.com\/?page_id=7575"},"modified":"2026-04-15T16:58:44","modified_gmt":"2026-04-15T16:58:44","slug":"m-geddes-gengras-guest-list","status":"publish","type":"page","link":"https:\/\/hausumountain.com\/?page_id=7575","title":{"rendered":"M. Geddes Gengras &#8211; Guest List"},"content":{"rendered":"<h1 style=\"text-align: center;\"><a href=\"https:\/\/hausumountain.com\/?attachment_id=7576\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7576 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-scaled.jpg 2560w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-300x300.jpg 300w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-1024x1024.jpg 1024w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-150x150.jpg 150w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-768x768.jpg 768w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-1536x1536.jpg 1536w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/HAUSMO156-M-Geddes-Gengras-Guest-List-3000x3000x300-2048x2048.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/h1>\n<p><span style=\"color: #ffffff;\">&#8211;<\/span><\/p>\n<h1 style=\"text-align: center;\">To be released on LP and CD on June 26th, 2026. Design by HausMo Max. LP available in wood smoke and black color configurations &#8211; packaged with a full color insert and liner notes by James Toth. CD packaged in 4-panel gatefold digipak. This is the catalog page with album information and artwork. To purchase, head to our <a href=\"http:\/\/hausumountain.bandcamp.com\/\">Bandcamp page<\/a>.<\/h1>\n<p><span style=\"color: #ffffff;\">&#8211;<\/span><\/p>\n<p style=\"text-align: center;\"><iframe style=\"border: 0; width: 400px; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1994548014\/size=large\/bgcol=ffffff\/linkcol=0687f5\/artwork=small\/transparent=true\/tracklist=false\/tracks=1505857901\/esig=92abae30b82c2a16c32af9e5234e073f\/\" seamless=\"\"><a href=\"https:\/\/mgeddesgengras1.bandcamp.com\/album\/guest-list\">Guest List by M. Geddes Gengras<\/a><\/iframe><br \/>\n<span style=\"color: #ffffff;\">&#8211;<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Over nearly two decades, composer \/ multi-instrumentalist <\/span><strong>M. Geddes Gengras<\/strong><span style=\"font-weight: 400;\"> has released an enormous catalog of wide-ranging, synth-focused music in solo and collaborative settings. He has participated in influential experimental groups like <\/span><strong>Sun Araw<\/strong><span style=\"font-weight: 400;\">, <\/span><strong>Pocahaunted<\/strong><span style=\"font-weight: 400;\">, <\/span><strong>Robedoor<\/strong><span style=\"font-weight: 400;\">, and <\/span><strong>Akron\/Family<\/strong><span style=\"font-weight: 400;\">. Along with <\/span><strong>Sun Araw<\/strong><span style=\"font-weight: 400;\">\u2019s Cameron Stallones and a host of Jamaican singers and artists, Gengras blurs the boundaries of dub and electronic music under the banner of <\/span><strong>Duppy Gun Productions<\/strong><span style=\"font-weight: 400;\">. The project initially solidified with an acclaimed collaboration called <\/span><em><strong>Icon Give Thank<\/strong><\/em><span style=\"font-weight: 400;\"> (RVNG, 2012) with roots reggae legends <\/span><strong>The Congos<\/strong><span style=\"font-weight: 400;\">. His solo works have appeared on labels including Room40, Leaving Records, Holy Mountain, and Umor Rex. After many years living in Los Angeles, Gengras now calls upstate New York home.<\/span><\/p>\n<p><strong>M. Geddes Gengras<\/strong><span style=\"font-weight: 400;\"> returns to Hausu Mountain with <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\">, his fourth entry in the label&#8217;s catalog since 2019 and the first to be issued on vinyl. His albums for HausMo have ranged from the topographical ambient synth networks of <\/span><em><span style=\"font-weight: 400;\">I Am The Last of That Green and Warm-Hued World<\/span><\/em><span style=\"font-weight: 400;\"> (HAUSMO88, 2019), to the dense technoid beat experiments of <\/span><em><span style=\"font-weight: 400;\">Time Makes Nothing Happen<\/span><\/em><span style=\"font-weight: 400;\"> (HAUSMO109, 2020), to the lush post-rock-adjacent harmonic architectures of <\/span><em><span style=\"font-weight: 400;\">Expressed, I Noticed Silence<\/span><\/em><span style=\"font-weight: 400;\"> (HAUSMO127, 2022). On <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\">, Gengras composes the most ambitious and omnidirectional song cycle that he has ever captured in the context of one album, weaving his own synths and electronics into a dense tapestry of contrasting genres and ideas all animated by the presence of an enormous cast of collaborators. In Gengras&#8217;s hands, the infinite-limbed drum performances of <\/span><strong>Greg Fox<\/strong><span style=\"font-weight: 400;\">, the ecstatic guitar explorations of <\/span><strong>Ben Chasny (Six Organs of Admittance<\/strong><span style=\"font-weight: 400;\"><strong>)<\/strong>, the soaring vocalizations of <\/span><strong>Christina Carter (Charalambides<\/strong><span style=\"font-weight: 400;\"><strong>)<\/strong>, and the contributions of many more artists become individual brushstrokes to paint across the canvases of his dense mixes. Channeling sonic details from his wide circle of friends, Gengras broadens his range of expression and composes the most communal and ultimately personal program of music in his bottomless catalog.<\/span><\/p>\n<h5><\/h5>\n<h5 style=\"text-align: center;\">&#8212;<\/h5>\n<h5><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"color: #ffffff;\">&#8212;<\/span><\/h5>\n<h5><\/h5>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\"> features contributions from:<\/span><\/span><\/p>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>Colin Blanton<\/strong>, <strong>Christina Carter<\/strong>, <strong>Ben Chasny<\/strong>, <strong>Tristan Dahn<\/strong>, <strong>Meg Duffy<\/strong>, <strong>Will Epstein<\/strong>, <strong>Brian Foote<\/strong>, <strong>Greg Fox<\/strong>, <strong>Cyrus Gengras<\/strong>, <strong>Grey Gersten<\/strong>, <strong>Otto Hauser<\/strong>, <strong>Louis Johnstone<\/strong>, <strong>Seth Kasselman<\/strong>, <strong>Zach Koeber<\/strong>, <strong>Lungs<\/strong>, <strong>Kirin McElwain<\/strong>, <strong>Grey McMurray<\/strong>, <strong>David Menestres<\/strong>, <strong>Smhoak Mosheein<\/strong>, <strong>Cory Plump<\/strong>, <strong>Ben Seretan<\/strong>, &amp; <strong>John Thayer<\/strong>.<\/span><\/p>\n<h5><\/h5>\n<h5 style=\"text-align: center;\">&#8212;<\/h5>\n<h5><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"color: #ffffff;\">&#8212;<\/span><\/h5>\n<h5><\/h5>\n<p style=\"text-align: center;\"><span style=\"text-decoration: underline;\"><strong>James Toth<\/strong><span style=\"font-weight: 400;\">, best known as the spearhead of the project <\/span><strong>Wooden Wand<\/strong><span style=\"font-weight: 400;\">, contributed the liner notes for <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\">:<\/span><\/span><\/p>\n<h5><\/h5>\n<h5 style=\"text-align: center;\">&#8212;<\/h5>\n<h5><\/h5>\n<h5 style=\"text-align: center;\"><span style=\"color: #ffffff;\">&#8212;<\/span><\/h5>\n<h5><\/h5>\n<p><span style=\"font-weight: 400;\">A modular synthesizer is a reactive, unpredictable instrument. Each new element added to the chain affects the whole, which can produce unexpected results. As with <\/span><strong>John Zorn<\/strong><span style=\"font-weight: 400;\">\u2019s Game Piece compositions, <\/span><strong>Autechre<\/strong><span style=\"font-weight: 400;\">\u2019s generative production strategies, or <\/span><strong>John Cage<\/strong><span style=\"font-weight: 400;\">\u2019s experiments with the <\/span><em><span style=\"font-weight: 400;\">I-Ching<\/span><\/em><span style=\"font-weight: 400;\">, an element of indeterminacy necessarily plays a crucial role in the creation of synthesizer music.\u00a0\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Journeyman composer <\/span><strong>M. Geddes Gengras<\/strong><span style=\"font-weight: 400;\">, despite his well-established talents as a multi-instrumentalist, has long been most closely associated with the synthesizer. On <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\">, Gengras adds \u201cbandleader\u201d to his resume, but with a twist: he conducts his guest musicians with the unmistakable baton of a synthesist. By presenting raw material to his collaborators and providing only minimal instructions, Gengras again places his faith in the unpredictable process of chance. This faith pays off handsomely.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The expansion of Gengras\u2019 sound through the input of multiple contributors is something of a radical departure: In addition to his eclectic solo work, which has encompassed everything from minimalist Moog fantasias and cosmic dub to feral psych-noise and abstracted Detroit techno, Gengras has long been a first call for artists looking to augment their work with the certain x-factor he provides. Here, the roles are reversed.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">There is, of course, a risk involved any time an artist assembles a large cast of collaborators to execute their vision. This risk doubles when the work is largely constructed remotely, as it is here, with the individual players afforded creative carte blanche. Fortunately, Gengras\u2019 deft editing instincts and fresh, tasteful arrangements allow him to avoid such pitfalls. Though his synthesizer work is present throughout <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\">, Gengras also knows, like any good bandleader, when to stay out of the way. It is this sound of communal brainstorming that imbues <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\"> with its egalitarian atmosphere, resulting in music that sounds more suited to an intimate house show than a planetarium.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The thread that runs throughout <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\"> is a decidedly modern take on a specific period of post rock; one gets the sense that Gengras has a great affinity for the fledgling \u201cearly Pro Tools\u201d era that produced seminal sides by artists like <\/span><strong>Tortoise<\/strong><span style=\"font-weight: 400;\">, <\/span><strong>Joan of Arc<\/strong><span style=\"font-weight: 400;\">, and <\/span><strong>The Sea and Cake<\/strong><span style=\"font-weight: 400;\">; a time when artists were just beginning to explore, via rapid advances in recording technology, the commonalities between indie rock and the nascent sound of IDM.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Given that Gengras has in the past frequently imposed upon himself an intentionally limited palette of sounds, the comparatively maximalist sound of <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\"> presents a stark contrast. Though the album retains the tactile character of his previous work, here Gengras adds a wealth of new, unpredictable colors. The deep sophisti-pop vibe of \u201cAll the Light\u201d is more <\/span><strong>Blue Nile<\/strong><span style=\"font-weight: 400;\"> than \u201cBlue Calx\u201d; <\/span><strong>Ben Chasny<\/strong><span style=\"font-weight: 400;\">\u2019s guitar mesmerism hovers over Gengras\u2019 soulful and stoned electric piano on \u201cLaplace\/Montagne,\u201d sounding like a <\/span><strong>CS + Kreme<\/strong><span style=\"font-weight: 400;\"> disco edit of <\/span><strong>Earth<\/strong><span style=\"font-weight: 400;\">\u2019s <\/span><em><span style=\"font-weight: 400;\">Hex; Or Printing In the Infernal Method<\/span><\/em><span style=\"font-weight: 400;\">; <\/span><strong>Cory Plump<\/strong><span style=\"font-weight: 400;\">\u2019s stentorian, <\/span><strong>Saccharine Trust<\/strong><span style=\"font-weight: 400;\">-y vocals on \u201cSeven Dials\u201d provide a crucial callback to Gengras\u2019 DIY basement punk past before the track climaxes with some truly sublime liquid guitar skronk courtesy of <\/span><strong>Hand Habits\u2019 Meg Duffy<\/strong><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The curveballs continue with \u201cSoup,\u201d an album highlight that doubles as a showcase for underground producer \/ emcee <\/span><strong>Lungs<\/strong><span style=\"font-weight: 400;\"> (aka <\/span><strong>LoneSword<\/strong><span style=\"font-weight: 400;\">). Presented as bitcrushed boom-bap, <\/span><strong>Lungs<\/strong><span style=\"font-weight: 400;\">\u2019 verse sounds uncannily like a scrambled <\/span><strong>Beatnuts<\/strong><span style=\"font-weight: 400;\"> on-air freestyle circa 1994.<\/span><\/p>\n<p><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\"> also contains the most drumkit-centric work in Gengras\u2019 oeuvre, and the featured percussionists\u2014<\/span><strong>Otto Hauser<\/strong><span style=\"font-weight: 400;\">, <\/span><strong>Colin Blanton<\/strong><span style=\"font-weight: 400;\">, <\/span><strong>John Thayer<\/strong><span style=\"font-weight: 400;\"> and <\/span><strong>Greg Fox<\/strong><span style=\"font-weight: 400;\">\u2014consistently succeed in delivering the necessary firepower and dramatic tension. Fox, in particular, is a marvel, occasionally sounding like a cross between a high-speed dub of <\/span><em><span style=\"font-weight: 400;\">Discipline<\/span><\/em><span style=\"font-weight: 400;\">-era <\/span><strong>Bill Bruford<\/strong><span style=\"font-weight: 400;\"> and <\/span><strong>Sunny Murray<\/strong><span style=\"font-weight: 400;\"> at his most octopoid and coloristic.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The album concludes on a particularly high note. \u201cThe Weather\u201d begins with a monologue by enigmatic sound artist <\/span><strong>Louis Johnstone<\/strong><span style=\"font-weight: 400;\"> (aka <\/span><strong>WANDA GROUP<\/strong><span style=\"font-weight: 400;\">) before giving way to synthesizer ripples, <\/span><strong>David Menestres<\/strong><span style=\"font-weight: 400;\">\u2019 probing contrabass, and the yearning saxophone of <\/span><strong>Zach Koeber<\/strong><span style=\"font-weight: 400;\">; these elements then coalesce to form a bedrock for the haunted and haunting vocals of <\/span><strong>Christina Carter<\/strong><span style=\"font-weight: 400;\">, which dash across the stereo field like a meteor shower, making for an epic finale.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">In a 2018 interview with the <\/span><em><span style=\"font-weight: 400;\">Lebron James blog<\/span><\/em><span style=\"font-weight: 400;\">, Gengras observed, \u201cIf you\u2019ve been admiring someone\u2019s work for a long time, [it\u2019s really cool to see] them get to a place where [they] lose the references and it\u2019s entirely theirs.\u201d Though Gengras reached such a place in his work long ago, on <\/span><em><strong>Guest List<\/strong><\/em><span style=\"font-weight: 400;\">, the composer has never sounded so much like himself. There\u2019s no little irony in the fact that it took a veritable posse of friends to assist Gengras in creating what is undoubtedly his most personal material to date. Maybe the takeaway is that it takes a proverbial village to fully realize a vision, no matter how personal that vision may be. Or maybe it\u2019s something even simpler than that: maybe the secret to throwing a great party is inviting the right guests. &#8211; <strong>James Toth<\/strong><\/span><\/p>\n<p><span style=\"color: #ffffff;\">&#8211;<\/span><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7562\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7562 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Dystopian-Beach-photo-by-Gabrielle-Valenti-digital-imagery-by-Max-Allison-and-Doug-Kaplan-scaled.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Dystopian-Beach-photo-by-Gabrielle-Valenti-digital-imagery-by-Max-Allison-and-Doug-Kaplan-scaled.jpg 1920w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Dystopian-Beach-photo-by-Gabrielle-Valenti-digital-imagery-by-Max-Allison-and-Doug-Kaplan-225x300.jpg 225w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7583\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7583 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Brown-Vinyl-1-copy-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2560\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Brown-Vinyl-1-copy-scaled.jpg 2560w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Brown-Vinyl-1-copy-300x300.jpg 300w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7582\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7582 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1709\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-scaled.jpg 2560w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-300x200.jpg 300w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-1024x684.jpg 1024w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-768x513.jpg 768w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-1536x1025.jpg 1536w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-2048x1367.jpg 2048w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Black-Vinyl-1-449x300.jpg 449w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7584\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7584 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-scaled.jpg 2560w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-300x225.jpg 300w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-1024x768.jpg 1024w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-768x576.jpg 768w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-1536x1152.jpg 1536w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-2048x1536.jpg 2048w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/CD-Digipak-1-400x300.jpg 400w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7561\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7561 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Digi-Cloud-photo-by-Gabrielle-Valenti-digital-imagery-by-Max-Allison-and-Doug-Kaplan-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1920\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Digi-Cloud-photo-by-Gabrielle-Valenti-digital-imagery-by-Max-Allison-and-Doug-Kaplan-scaled.jpg 2560w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Digi-Cloud-photo-by-Gabrielle-Valenti-digital-imagery-by-Max-Allison-and-Doug-Kaplan-300x225.jpg 300w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7563\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7563 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Atrium-photo-by-Gabrielle-Valenti-scaled.jpg\" alt=\"\" width=\"1920\" height=\"2560\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Atrium-photo-by-Gabrielle-Valenti-scaled.jpg 1920w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Atrium-photo-by-Gabrielle-Valenti-225x300.jpg 225w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-Atrium-photo-by-Gabrielle-Valenti-768x1024.jpg 768w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7586\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7586 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-LP-Layout-Back-with-Spine-scaled.jpg\" alt=\"\" width=\"2536\" height=\"2560\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-LP-Layout-Back-with-Spine-scaled.jpg 2536w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-LP-Layout-Back-with-Spine-297x300.jpg 297w\" sizes=\"auto, (max-width: 2536px) 100vw, 2536px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7591\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7591 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2.png\" alt=\"\" width=\"2000\" height=\"2000\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2.png 2000w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2-300x300.png 300w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2-1024x1024.png 1024w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2-150x150.png 150w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2-768x768.png 768w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Jersey-2-1536x1536.png 1536w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7585\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7585 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-LP-Insert-scaled.jpg\" alt=\"\" width=\"2560\" height=\"2558\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-LP-Insert-scaled.jpg 2560w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/M-Geddes-Gengras-LP-Insert-300x300.jpg 300w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7589\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7589 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/white-shirt-1.png\" alt=\"\" width=\"1200\" height=\"1200\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/white-shirt-1.png 1200w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/white-shirt-1-300x300.png 300w\" sizes=\"auto, (max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7588\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7588 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/navy-shirt-2.png\" alt=\"\" width=\"2000\" height=\"2000\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/navy-shirt-2.png 2000w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/navy-shirt-2-300x300.png 300w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/p>\n<p><a href=\"https:\/\/hausumountain.com\/?attachment_id=7590\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-7590 size-full\" src=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Guest-List-shirt.png\" alt=\"\" width=\"2000\" height=\"2000\" srcset=\"https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Guest-List-shirt.png 2000w, https:\/\/hausumountain.com\/wp-content\/uploads\/2026\/04\/Guest-List-shirt-300x300.png 300w\" sizes=\"auto, (max-width: 2000px) 100vw, 2000px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&#8211; To be released on LP and CD on June 26th, 2026. Design by HausMo Max. LP available in wood smoke and black color configurations &#8211; packaged with a full color insert and liner notes by James Toth. CD packaged &hellip; <a href=\"https:\/\/hausumountain.com\/?page_id=7575\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":678,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-7575","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/pages\/7575","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/hausumountain.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=7575"}],"version-history":[{"count":15,"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/pages\/7575\/revisions"}],"predecessor-version":[{"id":7600,"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/pages\/7575\/revisions\/7600"}],"up":[{"embeddable":true,"href":"https:\/\/hausumountain.com\/index.php?rest_route=\/wp\/v2\/pages\/678"}],"wp:attachment":[{"href":"https:\/\/hausumountain.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=7575"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}